COMPANIONSHIP CONTENT

If you haven’t noticed, I’ve been on a bit of a tear lately with the “blogging thing.” Did you notice the new domain name? I’ve had sethw.com on and off since, like, 1999 or so because it went with my weird one-man-band act I did. But lately, as I’m now easing into my later 40s, I wanted something that reflected my new vibes, and sethwxyz really worked. Like, the alphabet goes wxyz, right? Seth W… xyz. Oh my god, I love it.

Anyway, since I’ve been writing or blogging so much, I’ve definitely felt different things pulling themselves together.

Like, I’m not spending multiple hours a day writing, but I do a lot of thinking and walking and taking voice notes on occasion, which I rarely revisit, but just doing them helps my brain put things together.

This brings me to this piece called ‘Companionship Content is King‘ by Anu Atluru.

“Companionship content is long-form content that can be consumed passively — allowing the consumer to be incompletely attentive, and providing a sense of relaxation, comfort, and community.”

After reading that whole piece, it was like, oh my god, no wonder I love those Noah Kalina videos, right? And he even mentioned in today’s video, near the end, how you could just have his video on in the background, you don’t even need to really watch it.

There were a few days where I’d find myself in haze after laying around and just scrolling through Instagram Reel after Instagram Reel. It was like when we were kids, and they used to say we watched 10 hours of TV a week or something, but now it’s like we consume 10 hours of video a day, but in 15 to 30-second increments, and it’s draining, as Anu says here:

“Consuming content requires attention, and everyone has an attention ceiling. This is the basis of my belief that short-form video has an upper limit. It’s not that short-form isn’t as good or as entertaining as long-form, it’s that it’s distracting and ultimately draining.

The mental energy consumed per minute of content consumed must be higher for short-form video than many types of content. I think of this as the “drain ratio” (as in energy drain) for a given piece of content or even a whole genre. (I doubt if anyone’s scientifically measured this, but I’d willingly commission a study on it).”

Maybe that’s why I like watching Craig Reynolds of Stray From The Path when he does his drum streams.

I don’t have to pay full attention, but it’s just fun to be “in the room” when he offers a sarcastic comment or self-deprecating humor.

Maybe I’m just getting old, or maybe it’s the after-effects of living through a pandemic, and things are just off, man. I’m not sure, but I just need the slow chill vibes these days.

HINDZ is another great example. A little softer than watching Craig on drums, but still… I guess it’s all about the person. I know what I’m getting from these folks, and there’s a peacefulness to that.

This is also similar to “body doubling,” or virtual co-working sessions that I’ve seen around. I haven’t really dabbled in those quite so much, but I know some people really like those.

BLACK METAL IS FOR EVERYONE

So glad to see this happening.

From the press release:

Black metal is extreme music: fast tempos, heavy guitar, screeching vocals – it’s not usually thought of as everyday, easy listening, that’s for sure. Black metal came to global prominence with its “second wave” in 1990s Scandinavia, and was associated with church burnings, Satanism, and acts of extreme violence. But those days are now largely (though not completely) over, and black metal musicians are increasingly singing in favor of environmental causes, social justice, and anti-racism, in the United States and across the world. Black metal is still noisy and aggressive and sometimes it is also pretty bleak. But black metal might just be for you. So come see what all the noise is about. Everyone (except the fascists) is welcome!

Black Metal Is For Everyone – Symposium and Concert, Feb 28-29, 2024 at Indiana University in Bloomington, IN

Participants:

Amory Abbott, Emily Carr University 

Larissa Glasser, author and musician

Joan Jocson-Singh, Lucas Museum 

Rose Johnson, Falmouth University

Margaret Killjoy, author and activist

Daniel Lukes, co-editor of Black Metal Rainbows

Stanimir Panayotov, co-editor of Black Metal Rainbows 

With:

Michael S. Dodson, IU History 

Shane Greene, IU Anthropology

Olga Rodriguez-Ulloa, IU American Studies.

Rebekah Sheldon, IU English / Cultural Studies

Additional support provided by the Office of the Vice President for Diversity, Equity, and Inclusion; the College Office of Diversity, Equity, and Inclusion; the College Arts and Humanities Institute; and the Media School. For more info, please contact Michael S. Dodson

More info here.

“I think it’s part of why I love running. It removes me from the internet for a bit. I listen to music. I can just think about the music for a while and have experiences with that. I can focus on one thing so it is not so fractured. I think it goes back to slowing things down. Slowing things down is a way to spend more time with stuff.”

Brandon Stosuy

SHARE ART

Since I deleted Instagram at the start of 2024, I wondered how I’d find random bits of amazing artwork. Well, from blogs, of course.

Wait, not just blogs. From people.

It’s people that write these things and find these things.

Social media platforms get rich on the unpaid effort of all these artists and creative curators, while limiting reach, and making people think “who even has a website anymore?”

Fuck Zuck. Fuck Musk.

Go buy something from Old Made Good. Found via Swiss Miss.

WHERE I WRITE

My desk is on wheels, so sometimes it faces east; sometimes, I swing it around so I can look west.

I use a standing desk that I bought in 2019 or so, before the pandemic. Attaching the power strip to the leg was a recent move, to make it easier to wheel around, with the cords getting caught under the wheels.

Yeah, the cords take away from the “minimal aesthetic,” but I need power, and my external HD plugged in, so whatever. This really works for me. I can’t stand having a lot of stuff on my desk while working, so having a small desk makes that easier.

Thanks to @Beth Kempton for these #meetthewriter prompts.

THE TRUTH WILL FIND YOU

Fight Club and The Matrix are two very important movies for me, mostly because I was in high school in the early 90s.

So yeah, I may watch these two movies a lot. I even have a Matrix tattoo.

Something struck me recently. Near the end of Fight Club, when Edward Norton is beginning to realize that he’s Tyler Durden.

You work nights because you can’t sleep. Or you stay up and make soap.”

Now, the scene where Neo meets Trinity for the first time:

“I know why you’re here, Neo. I know what you’ve been doing. I know why you hardly sleep, why you live alone, and why night after night you sit at your computer.”

Neither of these main characters can sleep. They’re searching for something. Your next life, who knows?

And then each character expands because they start hanging around people.

Edward Norton was fighting with himself in the parking lot of Lou’s Tavern, when that guy walked up and said, “can I be next?”

Neo was searching, living alone, living on his computer. But his pals dropped buy for a miniDisc, right?

This then leads to Neo meeting more characters that wear all black and do stuff with computers.

This is an absolutely incomplete line of thinking between the two movies, the two characters. I’m not saying they’re connected, or in the same universe.

But the concept of not sleeping, or searching for meaning in some way outside yourself… I don’t know where this is going, so please stand by.

STOP SHRINKING

Love this by @madebynelson from Instagram.

“Stop shrinking into places you’ve outgrown 🌸✨

It’s important to continue to plant ourselves in bigger pots and new gardens as we continue to grow and evolve.

Enjoy your week! I cannot believe it’s December”

See the full post here.