I’ve followed Gary Vee from waaay back. He can be a bit much, but hey, that’s all of us.
I don’t know anybody on this episode – and I love how he mentions that some people in the chat (he live streams all day now, I guess) were like, OMG, “I can’t believe you’re in the room with them,” while some people were like “who the heck are they?”
That’s ALL OF US, and being around other people from other worlds is a GOOD THING.
I met someone in 2019 on a Zoom call during a cohort class, and we’ve literally been talking every week since, and they work in a MUCH DIFFERENT world than me. Like, they’re in rooms with pro sport CEOs and shit. That ain’t my world at all, but I’m better for it.
The internet is a big place. Build your circle with intention!
Don’t rely on digital records.
My advice is to download your Instagram feed now! Print it out in a book (there are online services that will do this for you). Write your memoir and self-publish it; print out photos of your art, bind the pages yourself and hand copies to all your best friends and family; share your work! And share it widely and generously.
Peter Kirn at Create Digital Media talks about SoundCloud and Bandcamp, and how they’re devolving into money machines for corporate shareholders.
“It’s a simultaneous reminder that we need to build something new, maybe this time not for the investors, but for the eu-IVs – for each other.”
Let’s stop waiting for the next publication or platform to save us. The fix isn’t waiting for tech bros to share a tenth of a penny more in streaming payouts – the power is with people reading newsletters and creating websites.
“Yeah, but Seth, these things cost money!”
Well, buy a domain name or wait by the phone for the next big platform – I turn 50 soon and I ain’t got time to wait.
The mass scale of social media was a mirage and we all fell for it. Going viral is the draw to get you in the casino, and you pay with hours of your precious life feeding the social monster for your chance at 12 likes.
Let’s start using the internet as a tool to find our freaks and build our communities. Make things and launch projects.
Make the weird shit you want to see in the world, and don’t just do it for likes or shares – reach out to the other weird shit people and start conversations.
It’s like we’re meeting at the mall food court – find your fellow weirdos and then get the hell out. Go to the record store downtown, go to a friend’s house and watch skate videos, hang out at a park – these are all the things social media platforms are afraid of.
Are we replacing Pitchfork tomorrow? No.
Will another site become the new Bandcamp?
Probably not.
But why have we become compliant little pawns in all this?
Are we so powerless to change the current situation that we sit back and hope somebody else fixes everything?
And then what? That person will sell the company to a Nabisco+Tide hedge fund subsidiary, and we’ll be back where we started.
Maybe centralized kingdoms of power and influence aren’t the answer.
Local music scenes seem to get along without local press, huh?
Gallery openings keep happening with zero coverage from local media.
I’ve seen individuals host creative Zoom sessions with 45+ people spanning several time zones.
I see artists speaking directly with their fans with reliable email lists, selling tickets and albums in the process.
Now imagine if all these pockets of culture and art and magic started organizing and working together.
“If not Pitchfork, with more daily visitors than Vogue or Vanity Fair or the New Yorker – or GQ – then who in music journalism can possibly thrive in this economic environment. And if no one can… then all we’ll have left are streaming platforms, their algorithms, and the atomized consumer behavior they push on us. A self-checkout counter for music, with a scanner going beep – beep – beep –”
“My goal with my content is to teach people how to use technology to pursue their best lives. Technology can help if used wisely. Social media works against that goal. If, as a society, we’re starting to think about ways to put some constraints on social media, sign me up.”
“Maximizing something is simple and may be satisfying. It doesn’t involve difficult tradeoffs and it’s easy to measure. But that doesn’t mean it’s a good idea.”
Black metal is extreme music: fast tempos, heavy guitar, screeching vocals – it’s not usually thought of as everyday, easy listening, that’s for sure. Black metal came to global prominence with its “second wave” in 1990s Scandinavia, and was associated with church burnings, Satanism, and acts of extreme violence. But those days are now largely (though not completely) over, and black metal musicians are increasingly singing in favor of environmental causes, social justice, and anti-racism, in the United States and across the world. Black metal is still noisy and aggressive and sometimes it is also pretty bleak. But black metal might just be for you. So come see what all the noise is about. Everyone (except the fascists) is welcome!
Black Metal Is For Everyone – Symposium and Concert, Feb 28-29, 2024 at Indiana University in Bloomington, IN
Additional support provided by the Office of the Vice President for Diversity, Equity, and Inclusion; the College Office of Diversity, Equity, and Inclusion; the College Arts and Humanities Institute; and the Media School. For more info, please contact Michael S. Dodson
An almost 10 minute video of exploring abandoned ski resorts and breathtaking scenery. Exactly the sort of video that makes me want to sell everything and travel the world.
In 2010 I left my apartment in Williamsburg, Brooklyn with my bike and what I carried in my bag. I rode my single speed bike up the GW Bridge, and made my way to Rutherford, NJ to crash with a friend.
“We’ll survive however we have to. We’ll continue writing about art. What I know now, that I didn’t then, is that fun and games are the entire point — the way we weather a world that’s largely indifferent to our joy.”
