Category: Music

PRODUCING AND UPLOADING

“That article reads as a kind of elegy to SoundCloud’s heyday, before multiple pivots through chaotic monetization and promotion. At least Bandcamp still works – for now. It’s a simultaneous reminder that we need to build something new, maybe this time not for the investors, but for the eu-IVs – for each other. For a reason to keep producing and uploading, and a place to do it. And, importantly, for listening.”

Peter Kirn at Create Digital Media

I love this so much: “a simultaneous reminder that we need to build something new, maybe this time not for the investors, but for the eu-IVs – for each other.”

WordPress can have a steep learning curve, but get a few friends together, figure it out, and we’ve got a new “media outlet.”

I’ve seen some music newsletters on Substack, but I fear shit like that can implode at any point, too. Sure, I’m sure as heck using it, but making sure this blog is updated, secure, and the domain name ain’t gonna lapse.

Like… we need need to stop waiting for the next MUSIC PUBLICATION to figure their shit out, and just make it ourselves, like we used to back in the day.

Our bands couldn’t play the big venues, so we rented VFWs and firehalls and made it happen.

Like, Spotify and Apple Music will not magically start paying artists more.

The big outlets aren’t going to feature you, and even if they do, it probably won’t amount to much because the big outlets have devolved into showcasing death and drama, turning their readership into gossip-hungry zombies.

I’m jaded as fuck at this ‘cuz I’ve seen it devolve for the past 20 years. The fix ain’t waiting for tech-bros to develop new platforms – the power is with the people on the streets and the bedrooms to make it happen.

DNA LOOP

Haven’t made any of these in a few years, but I’ve got a new laptop now, and some headspace for creative output, so here’s a little boop.

I make the music in Abelton Live. This is a fresh install, so it’s factory setting sounds and effects, but I’m happy with it. I need to bring over my plugins and such from my external HD.

When I went to look for videos on Pexels to use I was surprised to see Google DeepMind on there. They’ve got a bunch of videos and still images, so it looks like I’ve got a bunch of material to work with for future clips.

“I think it’s part of why I love running. It removes me from the internet for a bit. I listen to music. I can just think about the music for a while and have experiences with that. I can focus on one thing so it is not so fractured. I think it goes back to slowing things down. Slowing things down is a way to spend more time with stuff.”

Brandon Stosuy

MUSIC IS A BATTLEFIELD

So this happened today.

“Condé Nast is merging Pitchfork, the digital music publication it bought in 2015, with men’s magazine GQ — a move that will result in layoffs at Pitchfork, including the exit of editor-in-chief Puja Patel.”

As Ted Gioia wrote in response, “Put faith in the music, not the business.”

In the early 2000s we had music blogs, today we’ve got AI generated playlists.

Not sure how this gets any better.

ALSO:

“In 2017 Vulture called Spotify’s RapCaviar playlist “the most influential playlist in music.” Among other things, it’s credited for launching the career of Cardi B.

But as Ashley Carman reported at Bloomberg this month, even RapCaviar’s influence is now on the wane. The reason, of course, is artificial intelligence.”

From “How platforms killed Pitchfork‘

BURN IT ALL DOWN

Music blogs in the mid-2000s were a power (I was there). A good review could help sell a ton of albums.

After that, we ditched our iPods and piled onto social media and streaming playlists.

It’s all burning down.

I’m surprised how anyone is upset at this. Unlike popular DJs that would make radio shows, the people making these playlists were somewhat “hidden.” Yeah, sure, we knew who some of them were, but it’s not like the big prominent names and faces that we see in the world of radio, you know?

So how then are we surprised that they just replaced everyone with computers anyways?

None of these companies want to actually pay money for editorial discernment. If they did they’d have a full staff of amazing writers, like how Bandcamp used to operate.

Email lists and vinyl records will outlast social media, and I’m adding DSPs to that list now, too.

(via, Bloomberg)

QUITTING SPOTIFY

Great post from Olivia Rafferty about quitting and deleting Spotify:

My final reason was this: I wanted to own my music again. I wanted to press ‘shuffle’ on my entire catalog and have it surprise me with my own taste. Spotify lets you ‘like’ albums, and save songs to playlists, but you’ll never get a full idea of what songs you have in your catalogue. And what if some artists pulled their work from the platform? I constantly reach for Joni Mitchell’s Turbulent Indigo and it’s not there. Owning your music means that you will never lose it at the whim of someone else’s business decision. And it will be a catalogue that exists in its entirety. All together, in one place.

She details how she’ll listen to music moving forward, too. Great read.

Read it here: …So I Finally Quit Spotify

JOBBER SUMMERSLAM

Found this via a music blog – rcmndedlisten! In 2023!

I was listening casually, then came across this part:

Guitarist and vocalist Kate Meizner, drummer Mike Falcone, guitarist Michael Julius, and bassist Miles Toth aren’t just indie rock sports entertainers who can channel Helmet, Hum, and ‘99 era Macho Man in one fell swoop.

Then I was like, oh shit! It all clicked, and fuck, I love this song.

I GET PAID THE MOST

Neat interview with guitarist Steve Vai, on how he skipped making 0.25 cents per record to recoup and instead went and made $4 per record by going direct to the distributors.

And now, in 2023, artists are out here promoting the fuck out of DSPs so they can get 0.003 cents per stream on platforms that limit their ability to engage with 70% of their fans.

What the fuck are we doing?