MAKE IT AWESOME

I’m not trying to knock writing on the web, I’m really not. But holy damn, when you can watch a video like the one above, when Cory Henry launches into this solo? Watch out!

I’ve said it before; the writing of a seasoned pro appears exactly the same as an unpaid intern when presented on a website. The pixels, the fonts, the layout – serioualy, after 10+ years of meandering on the web, side-by-side, at first glance, it’s the same.

Sure, after reading a few lines you’ll tell which is which, but those are precious seconds that add up over the course of your day, a month, a year. Add in the fire-hose of shovel blogging, “me-too” editorials, and you see where I’m going with this.

Watch Henry’s solo (around the 4:00 mark, linked here) and you’ll see it – you won’t need to guess if it’s worth your time.

A podcast host either has it or they don’t, like a room full of musicians either bring it or they don’t. 

Because, dammit, you see it. The click-bait headlines. The social media tricks to get people to follow a link. You can just taste the tactics these days, can’t you?

Make the gates of joy and awe spring open when you release your thing. Every day. All the time.

YOU JUST HANDED ME A CDR AND WALKED AWAY

If you’re reading this, I probably @replied you and your band because you followed me (@sethw) on Twitter.

What you’re doing is the cyber-equivalent of handing me a CDR at a show and walking away.

A bit about me:

I played in all sorts of bands from 1991 to 2001.
I booked shows. I built websites for bands. I published zines.
I founded Buzzgrinder.com back in 2001.
I was the founding editor of Noisecreep.com for AOL Music.

In those 20 years I have never discovered or fallen in love with a band because someone handed me a CDR and walked away.

But during those 20 years I’ve made a lot of friends, and those friends were in bands, or ran labels or distros or booked shows. I discovered and fell in love with a lot of great bands because of that.

So if you think randomly following me on Twitter is going to help you, you’re wasting your time. And it’s a shame, because I know a lot of great people in the music industry, like publicists, engineers, A&R people, writers, editors, label owners, managers, bloggers, promoters, and tour managers.

Use this advice if you want. @reply me on Twitter, or shoot me an email.

Let’s be friends.

Then maybe I’ll listen to your music.