BYE, TWITTER

I joined in 2006, user number 2700 or so. Done. Later.

I also deleted the Metal Bandcamp Gift Club Twitter, too. We’ve got a buzzing email list, and an active Discord. No one was really signing up from Twitter, so fuck it.

My main email newsletter HEAVY METAL EMAIL got 38 new subscribers in May. One of them was from Twitter, so whatever.

And 30 or so a month is fine with me, because that’s 300 over the course of 10 months. If I get tired of Substack I can export them all and move somewhere else.

Will I miss things from other folks? Sure.

But I miss things because I’m not at the food court, too.

Or at a show three nights a week. Or a bar, or a group ride, or a group run.

I want peace and quiet, and that doesn’t happen on Twitter, or social media in general. If you’re reading this, you found me. Say hello: hi@sethw.xyz

ECONOMIC EVENTS

I haven’t posted anything to Twitter since May 8th.
Haven’t posted to Instagram since April 11th, aside from some Stories here and there.
I don’t remember the last run or bike ride I posted on Strava.

So when I saw this from Sara Eckel, something clicked:

If my husband and I go for a hike with our dog, Polly, nobody is making any money. If I snap a picture of Polly and post it on Instagram, I have turned this into an economic event. I’m providing Meta with personal data to sell to other companies, and free content to place alongside advertising.

If I asked you to send me all your photos and I would post them on my site, and then place banner ads on the site so I could make money, you’d tell me to piss off.

Well, that’s what social media platforms do, though with much bigger technology, and making a shit ton of money in the process.

Read the rest of ‘The People Who Don’t Want You to Sleep‘ for more.

FIVE EMAILS YOU CAN SEND TO YOUR FANS

This is my first big foray into a “service” for my HEAVY METAL EMAIL work, so let’s see how this goes.

This package ‘FIVE EMAILS YOU CAN SEND TO YOUR FANS‘ includes a Google doc of customized ideas and suggestions based around your creative project, and a personalized video from me explaining some of the ideas I present in the doc.

It’s FREE through the month of May, so get on it if you want it, cuz after that it’s $300, which will include an actual video / phone call to go with it.

Will this be a raging success for me? Can I quit my 800 freelance jobs and become a digital nomad? Probably not, but I’m gonna learn from this, and figure it out.

PROMOTE BY DOING

Since I’m done promoting things on social media, I should probably post about my new things here, right? Makes sense.

One of those things is a new HUNTERTHEN release, ‘ASCENDING TO THE DECOMPOSITIONAL TIMESCAPE.’

‘ASCENDING TO THE DECOMPOSITIONAL TIMESCAPE’ is a transport vessel to unknown, desolate worlds, destined for the monotonous hum of cold, futuristic data work lit by the glow of computer screens and datapads.

Since I’m spending less time on social media, I’ve put out a release in February, March, and April of this year (you can see them all here).

My last two sales on Bandcamp came from my Goodnight, Metal Friend mixes, not social media.

By putting out a mix every week this year, and also uploading them to YouTube, I’m getting more listens, all just because I’m putting things out consistently, and not spending so much time on social media.

And what about growing my HEAVY METAL EMAIL subscribers? How can I do that without social media? Well, that video interview I did with Laura Kidd led to my biggest rush of new subscribers ever.

While I did post that video a few times on socials, I wasn’t pushing for newsletter subscribers – I was sharing something big I did, without really asking for anything.

Do the big cool things, and maybe the subscribers and sales will come, maybe?

SUBSTACK NOTES IS FIRE

I’ve been on Twitter since 2006. One of the first 3000 users. I’ve spent a lot of time on there, and today I have 2,562 followers.

When I leave Twitter, I can’t take those 2,562 followers with me.

Now let’s say I spend more time on here with Substack Notes, and that leads to 100 new subscribers in April.

Then let’s say Substack becomes a dumpster fire in May.

I can export all my subscribers and go somewhere else. FAST.

The relationships I build are PORTABLE. I can export all my subscribers and open up shop anywhere in an afternoon.

That’s what makes Substack notes so remarkable; building relationships into subscribers, instead of posting on social media platforms for followers.

AT PEACE WITH MY PACE

Marlee Grace really sums it up here:

I noticed in my month off social media the ideation phase of my practice felt so serene, I had less money then and yet I still found myself with so much more trust. Left without the reminders that everyone else is always launching, always sharing, always has something to sell. I found myself peaceful with my pace.

YES, this is so great: “I found myself peaceful with my pace.”

I’ve stopped promoting Goodnight, Metal Friend on social media. Each new mix just goes out to newsletter subscribers first. A day later they go up on YouTube and Mixcloud.

Less promoting, and I still got a HUNTERTHEN track featured in this ‘Spectra-Sonic Sound’ mix.

Less promoting my HEAVY METAL EMAIL newsletter on social media, and I’m still welcoming new subscribers, and some of them support my work financially.

Trust that your work doesn’t need to be plastered on billboards, you don’t need to stand outside a venue handing out flyers. Let the magic go where it’s going to go.

SOCIAL MEDIA REACH IS OVER

I keep advertising in the newspaper yet I’m just not getting customers!
I keep buying banner ads but not getting sales!
I keep paying to BOOST my social media posts but nothing happens.
I keep spending time on social media platforms but not getting any reach!

When do we get the fucking clue? Take the hint.

Social media did not exist to send you free traffic in 2015, and it sure as fuck ain’t gonna make it any easier in 2023 – that’s EIGHT YEARS of beating our heads against the collective desk.

You saying you didn’t see this coming? Please.

Facebook pivoting to video in 2015 fucked everyone. Then oops, “Facebook Overestimated Key Video Metric for Two Years.”

So you think that same company that runs Instagram has your best interest in mind?
Think Elon Musk gives a flying fuck about your upcoming tour or EP release?

Bands and businesses flourished before social media, and they’ll survive without them.

MEG WHITE RULES

Imagine waking up and posting garbage like this:

The audacity to post “Meg White was terrible” to the entire world is beyond comprehension.

Meg White won four Grammy Awards
She’s in Rolling Stone’s ‘100 Greatest Drummers of All Time’ list
She’s a 3x Platinum selling artist.

You know what most normal people do when they don’t like something? They don’t think about it.

There are 1000s of bands and albums and song I don’t care for. Think I’m going to spend energy and time and effort and mental bandwidth letting the world know?

Nah.

This, though? This new album from Carmen Jaci is amazing, and I just pre-ordered it today (it’s out March 30th, 2023).

WHAT’S THE GOAL HERE?

One of the things I keep thinking we’re all going to “miss” if we’re not all on social media is the immediate satisfaction of posting something off the tops of our head at 10:32pm on a Tuesday night, and then seeing five likes and one person responds with an emojii.

That’s the dopamine hit. The rush. Insert your coin (write something, upload a photo), pull the lever (hit send), and watch what happens.

Over and over we do this, for fucking years. Half a decade. Or more. On different platforms.

We post, we hit like, we reply, and this somehow how keeps everyone coming back.

Because if we post something on our blog (like this), there is no response. I can’t see the immediate feedback, the reations, the comments (they’re turned off), the traffic.

I also think how if a few of us got together and started some sort of “group blog,” posting things through the day that we find interesting, it wouldn’t be enough.

We need to sit there, hit refresh, and see the new thing. The fresh post.

I remember the allure of the Christian message boards I used to frequent back in like 1998 or 1999. You’d hit refresh and there’d always be something new at the top, whether a new post, or a new reply.

With Buzzgrinder in 2001, I thought, “why not put the message board on the front page?” I mean, I thought I was smart shit, but the blog had already been invented! Hah.

But still, with a small crew we posted every hour on the hour, usually from 8am through 4pm, no matter what. There was always something new when you came back because we weren’t on websites for HOURS A DAY like we are now.

And hell, I made a concerted effort to avoid Twitter today and I think I was still on there like three hours total. Fucking christ.

And with that whole, well… websites just aren’t interesting enough to keep coming back to, that’s why we keep being pull back to social media.

Have we thought that maybe we weren’t meant to keep tabs on every news outlet, video feed, music stream, and entertainment stream all day and night?

How much is enough?

We’re already spending two, four, six hours a day on these sites. At what point does a social media platform come along that can match the pull? The rush?

I just don’t think we’re meant to be this connected to the fire hose of updates. I love my friends, but I don’t need to see the coffee they got on Tuesday afternoon, because I’m trying to keep up with 300 other friends, too.

But to what end?

At the end of the day there’s no destination, and the entire journey is made of fast food and cheap jeans.