August 2025 – HELLO, I'M SETH WERKHEISER

NOT WHY BUT WHAT?

Great reflection from Devon Yanko:

I have been asking myself the wrong question: Why? Why was this the wrong question for me? Because you don’t need to make meaning out of every feeling. I have become so accustomed to working on myself that self-interrogation has become second nature. And it is not always the right tool. Introspecting on every single thing does not in fact create more insight. I kept trying to fix the past through understanding it and ensure that I would be safe in the future. But it doesn’t work that way. Making meaning doesn’t inoculate you against future failures.

The better question to ask myself is: What? What am I feeling? What do I need right now? What am I excited about? What do I want to do? If I follow those questions with a Why? I feel immediately defensive and shutdown. I can feel my chest tighten. I have spent my life justifying and explaining myself, and I have worked so hard to not feel like I have to. I have worked so hard to trust myself and my deep inner knowing. I have asked enough “why” in therapy and self-work that it is no longer the right question for me.

That part, “you don’t need to make meaning out of every feeling.”

I actually heard Alex Hormozi talk about that, too. Fuck the feeling, it is what it is, sort of onto the next.

Okay, maybe I’m paraphrasing and off topic, but I like where Devon takes it.

THE FAKE MUSIC ON SPOTIFY IN 2020

The beauty about keeping a blog is you have an archive about certain subject and quotes from certain people.

I’m hosting Sean Cannon today (Aug 21, 2025) on my Escape Pod Zoom call, a weekly gathering of the paid members of my Social Media Escape Club.

I searched his name on this blog, and found this post “Streaming Problems,” from January of 2020.

I clicked the source link, his Twitter feed, and then found this gem, regarding Spotify:

“So you have the biggest company in the space creating “fake” music to drive up margins, trying to create user habits that promote NOT interacting with artists or their songs, and trying to crowd music out of everyday users lives.”

Oh, how unaware we were at the time at how fake the music would get! He was talking about “fake bands” that made music for a fee, thus removing the royalty aspect. Fill the playlists with “freelance” bands, and profit!

But here we are five years later, and Spotify is littered with music created by AI.

THE AUTUMN WOODS

Noah Kalina used another HUNTERTHEN track for his ambient videos. Stunning shots, ambient sound, and I just love hearing Noah in the woods with the sound of rain and thunder in the background.

Definitely go subscribe to his new ambient channel KALINA.

JUST START BLOGGING

Fuck a Square Space, fuck a newsletter, fuck a social media platform and just freaking write, preferabbly on your own domain or least something you pay for so you can export yoru work if it ever goes belly up.

Fuck the full-width photos. Fuck the buttons. Fuck the H2 tags.

We’ve spent hours everyday posting and consuming social media content. Now it’s time to get radical. Reverse thrusters and lock in the auxiliary power. Pull the emergency brake and abort, it’s to get back to blogging.

Every new blog post is a signal to the reader, the curious visitor. There is no confusion, there is no navigation, there is THE FIRST POST.

It’s the menu, it’s the directions, it’s the manual – we start here. Today, this first post. This is where we start today.

Don’t like it? Scroll down, there’s another post. Not for you? Take a hike.

I guess I could say this blog is a failure for not landing me some big giant six figure client or whatever, but I’d say it’s a success because it’s fended off any shit-ass hiring manager from hiring a ding dong like me and that’s fine.

This blog is a signal. This is me. This is what you get. And it’s not ever video!

But the blog serves a purpose. Each post is like an email to the universe, a signal saying “this is what you get.”

Some might be curious and dive in. They might even email you.

Otherwise all those busy, cluttered, slow loading square space sites are just bogged down with static photos, text that was written three years ago, and a bunch of buttons to “sections” where it’s just more of the same.

Fucking write on your blog like your life depends on it because I’m thinking right about now it does.

SLEEP IS RADICAL

“We don’t need more noise. We need space to listen—even to fall asleep. That’s radical in a world obsessed with productivity.”

Kamal Sabran, from “When Modular Synths Met Sufi Mysticism: The Space Gambus Experiment.”

BLOGGING IS A TRADE

I’m not even sure what part to quote from Alex Danco, but we can start with this:

Winning, for bloggers, means writing the reference take on a good topic. My favourite example of this is how Byrne Hobart broke out with his piece on the 30-year mortgage. It’s kind of surprising that this kind of post had such influence – it’s wonky, it’s not written for a general audience whatsoever. But it turns out that people think and talk about their mortgages a lot, and like to feel competent when they do. Reading that piece equips them with a kind of legitimacy to speak on the topic.

This under the header of Blogging is a trade, which I love seeing in the year 2025.

There is power in blogging, in writing, in text.

Everyone can put text on a screen in 2025, but not everyone can write. And if you can write, you’ve got options. From a blog post, to an email, to a text message – so much of it comes from the years blogging, of publishing on the web.

“This is the great secret of writing in public: the writer and primary audience both put in effort (to pack and unpack the idea); and they jointly reap the rewards, which is the legitimacy earned when the idea gets subsequently retold verbally to the wider secondary audience.”

Sadly, in the year 2025, some stupid ideas have won, but the good ideas spread, so it’s time for a lot of us to spread some more ideas. Not thoughts. Not hot takes. But ideas, ways to get out of messes, to move forward, to build a world we want to live in.