COMPANIONSHIP CONTENT

If you haven’t noticed, I’ve been on a bit of a tear lately with the “blogging thing.” Did you notice the new domain name? I’ve had sethw.com on and off since, like, 1999 or so because it went with my weird one-man-band act I did. But lately, as I’m now easing into my later 40s, I wanted something that reflected my new vibes, and sethwxyz really worked. Like, the alphabet goes wxyz, right? Seth W… xyz. Oh my god, I love it.

Anyway, since I’ve been writing or blogging so much, I’ve definitely felt different things pulling themselves together.

Like, I’m not spending multiple hours a day writing, but I do a lot of thinking and walking and taking voice notes on occasion, which I rarely revisit, but just doing them helps my brain put things together.

This brings me to this piece called ‘Companionship Content is King‘ by Anu Atluru.

“Companionship content is long-form content that can be consumed passively — allowing the consumer to be incompletely attentive, and providing a sense of relaxation, comfort, and community.”

After reading that whole piece, it was like, oh my god, no wonder I love those Noah Kalina videos, right? And he even mentioned in today’s video, near the end, how you could just have his video on in the background, you don’t even need to really watch it.

There were a few days where I’d find myself in haze after laying around and just scrolling through Instagram Reel after Instagram Reel. It was like when we were kids, and they used to say we watched 10 hours of TV a week or something, but now it’s like we consume 10 hours of video a day, but in 15 to 30-second increments, and it’s draining, as Anu says here:

“Consuming content requires attention, and everyone has an attention ceiling. This is the basis of my belief that short-form video has an upper limit. It’s not that short-form isn’t as good or as entertaining as long-form, it’s that it’s distracting and ultimately draining.

The mental energy consumed per minute of content consumed must be higher for short-form video than many types of content. I think of this as the “drain ratio” (as in energy drain) for a given piece of content or even a whole genre. (I doubt if anyone’s scientifically measured this, but I’d willingly commission a study on it).”

Maybe that’s why I like watching Craig Reynolds of Stray From The Path when he does his drum streams.

I don’t have to pay full attention, but it’s just fun to be “in the room” when he offers a sarcastic comment or self-deprecating humor.

Maybe I’m just getting old, or maybe it’s the after-effects of living through a pandemic, and things are just off, man. I’m not sure, but I just need the slow chill vibes these days.

HINDZ is another great example. A little softer than watching Craig on drums, but still… I guess it’s all about the person. I know what I’m getting from these folks, and there’s a peacefulness to that.

This is also similar to “body doubling,” or virtual co-working sessions that I’ve seen around. I haven’t really dabbled in those quite so much, but I know some people really like those.

POP UP COFFEE SHOP

Love this so much, from Tina Roth Eisenberg (Swiss Miss):

“This past Saturday I invited my neighbors and a few local friends to a “pop up coffee shop” in my kitchen.

The premise: Doors are open between 9am and noon. Coffee and tea is flowing and there are baked goods and fruit to snack on. Pop in for a quick hello or hang for as long as you’d like.”

So cute.

DON’T MISS BLOCKBUSTER

Like I mentioned yesterday in ‘TRADITIONAL MEDIA KILLED IT ALL,’ the quote that got me was, “(podcasting) started as a homegrown endeavor before traditional media got into the game.”

Then I read ‘You Don’t Really Miss Blockbuster‘ by Chris Dalla Riva, and something else hit me between the eyes:

“Blockbuster was also constantly maligned as the corporate behemoth that bowdlerized mom-and-pop video shops.”

Oh, yeah, that’s right. The town I grew up in had several mom-and-pop video stores, one was run by people I knew!

But then Blockbuster rolled in, and the mom-and-pop establishments closed one by one.

It’s like maybe these corporate giants who waltz into our communities don’t have our best interests in mind (see also Conde Nast buying Pitchfork, Bandcamp left in the hands of Epic Games).

ARTIST KEEP GETTING CRUSHED

If you haven’t seen, UMG has pulled their music catalog from TikTok, and shit is hitting the fan.

This is from Bloomberg’s ‘Soundbite‘ newsletter, from UMG country artist Cody Fry:

“I feel like I’m a person standing between two colliding planets,” he added. “It’s just hard — as a hard-working artist — to see a budding, viral trend with one of your songs that’s really awesome, in its infancy, just, like, get crushed by multi-billion dollar corporations.”

It sure sucks to be at the mercy of mega-corps who own the rights to your music, but… this is the way it is.

This is what we signed up for: letting massive apps be the arbiters of taste and culture by way of AI algorithms, with content created for free by users using music licensed from giant label catalogs.

What could go wrong?

TRADITIONAL MEDIA KILLED IT ALL

While out on a walk I thought of the last piece I quoted here, about the author wondering if editing a podcast or doing graphic design, that perhaps it is an “amateurization” of tasks that some people get paid lots of money to do.

For his part, David says he doesn’t begrudge my amateur podcasting, and points out that the medium started as a homegrown endeavor before traditional media got into the game.”

Sara Eckel from The Amateurization of Everything

THAT’S RIGHT.

I couldn’t write for MTV.com, but I could set up PHP-Nuke and try to set up a music based Plastic.com (I’m really showing my age here). Thankfully tools like Blogger, Movable Type, and WordPress came along.

That’s when we started HXC.com, Absolute Punk, Pitchfork, Stereogum, and Idolater.

The medium (music blogging) “started as a homegrown endeavor before traditional media got into the game.”

AOL Music re-launched Spinner.com in 2008, pulling it out of the clunky CMS and moving it to something even more horrible, from what I can remember (I started Noisecreep for AOL Music in 2008).

I’m sure other corporations co-opted the music blog world, but I can’t think of any right now.

There was an ocean of music blogs out there, a vast ecosystem of writers and interests and genres covered, sometimes catering to certain cities or regions.

Point being – these things WORKED. If they didn’t, corporate nerds with all their “forward-thinking ideas” (HAHA) wouldn’t have swooped in, co-opted the whole market with big budgets, and siphoned off exclusive interviews and video premieres from the little guys…

Holy shit, as I write that… damn, we destroyed it all, didn’t we? Damn.

Then it became too expensive to keep the house of cards upright, so they shut it all down and sold to Yahoo or Verion or whatever and made their yearly bonuses.

In the end we’re led to believe that music blogs (or blogs for anything) just can’t work anymore. The internet has moved on. And I think that’s bullshit.

Corporate interests moved on (hello, Conde Nast) and left us with… AI generated Spotify playlists, huh?

Re-start your blog. Go to a show. Buy a zine. Make stickers. Invite some friends over for dinner and put your phones in a basket – corporate interests ain’t welcomed at the dinner table.

I LOVE NOAH KALINA’S NEW VIDEOS

I am LOVING the videos that Noah Kalina is posting lately. I know, I already wrote about this, but whatever.

If you don’t know, he’s the guy who took a photo of his face everyday guy, and he’s a pretty big photographer. He’s like, a big deal, which makes these new videos so fucking great.

Whenever the subject of “starting a podcast” or “doing videos” comes with friends, the conversation always goes, “yeah but, I’m not a loud talker,” or “I’m just shy and introverted.”

And I always tell these friends that that is the reason they need to start a podcast. They need to upload videos on YouTube because there’s enough videos on YouTube with loud talking big mouths. There are quiet people out there who like to watch and listen to other quiet people!

So that’s why these videos are so great.

These videos are permission to set up a camera and just talk, or do whatever you want, really.

Like, Noah has around 50,000 followers and his videos “only” get around 1,000 views. If you’re doing it for the numbers yes, it’s hard. But I think these videos do a lot of good, and can inspire a bunch of people to set up and start doing their own thing (I know I’ve got ideas).