HARD ART

Photo by Seth Werkheiser

Lots of people are making great art. And now AI is coming in to make things more tricky. Sure, Fiverr. All that.

The “great art” part is easy for consumers – they know it when they see it. They might not even care if you made it or a computer made it. They know what they like, and they buy it (or just save it to their desktop).

What I’m saying then is your art isn’t for those people. Your work isn’t for “I’ll take whatever is cheapest / easiest.”

Your work is for people who want to go deeper, who care, who think the person behind the art matters just as much as the art.

Those are your people, and if you’re lucky, they may someday become customers.

The text above was part of my reply to someone talking about the never-ending conundrum of “getting the word out” about what someone makes as an artist, or a painter, or a photographer. How we need social media, how everything is stacked against the independent creative person.

They had two posts on their Substack, so I mentioned this, too:

I read two of your posts – one about ADHD, and one about the atrocities of the war-ravaged world we live in. I already know you care, that you think about others, that you live with ADHD (something I know very little about)… but now I know a bit about you. You’ve already made it clear “this isn’t just about making pretty pictures.” You’ve put on full display, “This is me, this is what you get.” For what it’s worth, I’m going to subscribe – not (just) because of your art, but because of who you’ve shown yourself to be, which is how all this works.

I’ve channeled a lot of Seth Godin energy in this reply, but seriously… there’s a lot of great artwork out there. There’s no shortage of that. But there’s a shortage of people who care, who show up like you do. Keep doing that.

BYE, LINKEDIN

We did it. After countless years of absolute random ding-dongs asking to connect, and then just “wishing” me a happy birthday once a year, I’m out. Aside from the two gigs I ever got from this service, the distraction, the inane 9000 word articles from the thought leaders was just not for me.

STOP DISTRIBUTING CONTENT

LinkedIn is awful, and for some reason I’m still on there, and they keep sending me emails. One today asked this, and I’ll answer it here, and not distribute it anywhere, thank you very much.

Q. How can you distribute content effectively across multiple platforms?

A. Don’t. Stop distributing content. Go for a walk instead. Talk to your neighbor. Read a fucking book. Take a picture. Knit a scarf. Learn karate. Ride a bike.

Everyone is distributing content. It’s all the same. We’re all taught to believe that if we just write enough “content,” and distribute it enough places, then we’ll be like Justin Beiber and someone will discover us and hire us and we’ll be rich.

I’m not saying it never happens, but come on – if everyone is doing this thing, and obviously it’s very easy to “distribute our content,” then why aren’t more people killing it?

If we’re all so smart, and all our friends are smart, then why aren’t we all over employed and speaking at big conferences?

There are only so many podcasts to appear on, to share our leading-edge thinking.

Do we think the people in positions to hire us are hanging out on LinkedIn all day? That they have the time to read everyone’s 500+ word posts about productivity and how AI will help the music industry?

Get outta here.

CHOKE UPON THE BILE

Back in the early internet, I remember how visiting a message board was exciting because there was always going to be something new there. Some new comment, or new thread.

Then I discovered blogs, and was like, woah, the message board is THE FRONT PAGE. Only it’s curated by a single person, or a small group of people (this is how my first music blog came about).

See, there was just soooo much music out there on the internet, and us “bloggers” (for lack of a better term for someone who sets up a site, manages the domain name, edits posts, schedules posts, trys to sell ads, etc) highlighted the best bits. Sort of like when Yahoo had actual people managing the directories… search algorithms weren’t up to snuff yet, so humans did some of the best sorting, but the problem was… money.

Ya gotta pay people! And wow, companies really don’t like doing that – not at the expense of giving the execs a few more million in bonuses!

But that blog thing was a cultural movement. Sites like Pitchfork and Stereogum and Engadget and Gawker were fun to read, and made an impact.

Until they didn’t.

Bloated, promoted in an ode to pomp and style
Moistening the feed while we choke upon the bile

‘Motherfucker’ by Faith No More

This song came out almost ten years ago, and we’re still choking on the bile of the internet.

“But Seth,” they say, “no one visits websites anymore.”

No, no one visits your website.

Social platforms convinced everyone to dump all their writing, art, photos, and various “content” onto their websites, where we all believed “Everyone” could find it, and like it.

No one visits your website, but they visit a few websites that aggregate everyone’s website content and sell ads against it. We call that the internet now.

No thanks.

THE INTERNET ISN’T A DESTINATION

I love this bit from Jaime Derringer, who created Design Milk 18 years ago:

The Internet may no longer be a place I want to frequent.”

Back in the 90s, I remember riding my BMX bike and looking forward to getting on mIRC later to catch up with some friends on #pasxe (if you know, you know).

The point wasn’t to be in a chat room all night; it was to find out what shows were coming up or if we were meeting at a diner later that night.

The internet was a tool, not a destination.

SPEND TIME ON GOOD THINGS AND GOOD PEOPLE

Today I wrote how 33 minutes a day on social media equals 200 hours, and that’s the amount of time it took me to run 1,105 miles in 2020.

I then suggest we do a bunch of things that “only” require 33 minutes a day, such as devoting 33 minutes a day to connecting and talking and reaching out to the good people in your life.

“Consider that we don’t think twice about uploading our original photos and text to a platform that sells advertising around our unpaid labor while limiting the number of our friends (or potential clients) who will ever see it, thus incentivizing us to either spend more of our time (a finite resource) on the platform “engaging,” or spending actual money to “boost” our posts so more people might see it.”

While 33 minutes sounds like a lot, we toss that time out the window every single day scrolling through dumb videos and memes.

Read it here: Spend time on good things and good people

CPM HELL

Thanks Itay Dreyfus for bringing this to my attention:

“The internet makes me blind to the scale of things. If I write a blog post that is read by 2000 people that feels like crickets (these days). But last night we had 200 people come to the opening of a new exhibition at the gallery. It was overwhelming.”

Henrik Karlsson

Let’s not forget why 2,000 people on the internet don’t feel like a lot: cost per thousand ad impressions (Cost per mile [CPM]—mille is Latin for thousand).

As that CPM rate went down, more ads went on the page. Two display ads. Three. A pop-under.

It wasn’t that 2,000 people reading your work was bad. The CPM rate was “bad,” so something that got read by 20,000 people was considered “good.” After all, we have to keep the lights on!

The problem was, as more corporate interests crept in, we didn’t just need to keep the lights on. We had to pay the salaries of lots of dude bros in sports jackets and the electric bill for keeping 27 LED TVs running day and night in the office.

RETURN TO THE WEB

The only thing holding us back from having the internet experience is ourselves.

“Nothing about the web has changed that prevents us from going back. If anything, it’s become a lot easier. We can return.

This from Molly White, in a piece called ‘We can have a different web.’

We can set up websites for cheap, using a multitude of tools. We can create directories, or field guides, or fan pages for anything we want.

We can link to each others things from our websites, our newsletters, our DMs, our Discords or forums.

It might feel slower, since techbros at social media giants have been feeding you the Kool-Aid that without them you’ll turn to dust, but that just ain’t true.

RELYING ON GREY BOXES

Cal Newport makes a great point about artists and creative people being on social media.

If our work is on social media, we leave the chance of “being discovered” to a grey box. An algorithm.

But the “old way” of finding and discovering things on the Internet was through blogs and directories.

Posts and link dumps curated by real humans. DJs on live radio stations. Writers that reviewed music in magazines.

It was slower, sure, but I don’t think we need any more “36 new songs released today” posts, do we?

I think it’s time to get back to directories again. DIY style. Curated links to resources to duplicate tapes, make zines, and lists of art galleries by city and state.

MAYBE YOU DON’T NEED MORE SUBSCRIBERS

What if the people receiving your emails forwarded it to friends? What if they copied the text from it and posted it on social media? What if your words traveled from the inbox into Facebook group chats and meeting rooms?

When was the last time you sent a newsletter that got 10 replies?

If none of those things happened — not even close— maybe getting more subscribers isn’t the answer.

From social media to Substack Notes, people post in the void. No comments, likes, or engagement of any kind.

Hey, sometimes things don’t work!

Your “questions to everyone” or “open invites” have good intentions, but after a dozen or so attempts, it’s time to reassess your strategy.

Stop asking “everyone” and start actually asking people.

➡️ Reply to someone else’s post. Go into the comments section of another post, or another Tweet, and reply there. Be the person that people love seeing in the comments section by being insightful, gracious, and / or funny.

➡️ Email someone directly in your network. If you’re hoping those people even see your original post and take the time to reply is a long shot. Instead, reach out and ask them. Say you’re looking for their insight for an upcoming post.

➡️ Invite someone before inviting everyone. If you’re just getting started in hosting video hangouts, live sessions, or workshops, consider inviting a few people you know directly. See if you can get three people to commit before announcing to “everyone.”

➡️ Go beyond “just sharing” and make it a big deal. Make a whole post about it. Go deeper than typing “THIS,” and explain why this piece resonated. Don’t just “curate your feed,” rolling the dice hoping that 10% of your audience might see it. Take the time to write about something (or make a video or an audio snippet), and share it directly with your audience in an upcoming newsletter (where 99% of your subscribers will see it in their inbox).

Soda section from a grocery store in Palmerton, PA

“Yeah, but Seth, I just want to post my thing and go do other things,” you might say.

Well, you see the results that “just posting” gets you.

Also, how can talking to your fans, audience, and readers be a waste of time?

Setting a timer for 15 minutes and communicating with real people five days a week will probably get you more results than the hour you spend making one Reel for 153 “people” to see (and which will never be seen again after 12 hours).

Does it scale? Fuck scale, do the work.

The strategy of “just posting” ain’t working, and it’s not going to get any easier to reach your fans in that way as we roll into the second half of 2024.

A garage in Fleetwood, PA