NO MAGIC IN ALGORITHMS

The local university has a radio station, and I finally looked it up and of course found HEAVIER in their Mixcloud archive.

Letting a radio show just play can be hard, as DSPs and social media has made me so impatient. But I let it play, and to my pure delight Kublai Khan TX came on, which is one of my client’s bands, and a band I saw a bit ago on tour.

Over the past few years I’ve danced with the magic of the radio, mixes, and DJ sets, watching chemists mix together tracks like potions. I’ve watched hours of ambient drone made in real time using equipment I’ve never heard of.

All this stuff is harder to find, harder to “consume” while on a bus or whatever. But I grew up in a home with a music room.

There was a stereo, shelves of records, and that’s where you listened to music. I have memories of mom dancing to the Rolling Stones, Abba, Kris Kristofferson, and Dire Straits.

Some nights I just never want to go to bed. Hopping from one YouTube video to the next, looking up something on Wikipedia, then digging for a track on Bandcamp. On Spotify. Whatever.

A whole world of music is out there, still waiting to be discovered, and it’s so fun to just dig through so much of when you discover it from other people.

GIVE ME THE EXPERIENCE

I got into heavy music because a good friend hauled my ass to a sketchy venue in NJ back in 1994 or so. Into Another, Life of Agony, Biohazard.

If our parents knew where we were at, they’d be furious. That was an experience. A life changing event when I was just 17 years old or so.

And 30 years later I just went to a show with that same friend.

So yes, we’re making videos and writing newsletters and putting out vinyl and tapes, and that’s all well and good.

But there’s only so far that online marketing can take you.

Those social media posts are stacked up against long drives, truck stops, and scary venues as a teenager.

It’s not about the product, it’s the experience.

YOU NEED A PLAN

@Gen_Erik on Twitter

Love love love this quote:

“What you need is a strategy to grow your fanbase. And as you’re growing your fanbase, you keep making music and improving your craft.”

If you write shit songs and get on stage and notice that no one is interested in what you’re playing, you’re going to make adjustments.

You work on your craft, develop your skills, and learn how to put on a show. This can take years, but that’s how it’s done.

This goes for writers, photographers, artists, whatever!

Goals are great, but what’s the plan?

MEG WHITE RULES

Imagine waking up and posting garbage like this:

The audacity to post “Meg White was terrible” to the entire world is beyond comprehension.

Meg White won four Grammy Awards
She’s in Rolling Stone’s ‘100 Greatest Drummers of All Time’ list
She’s a 3x Platinum selling artist.

You know what most normal people do when they don’t like something? They don’t think about it.

There are 1000s of bands and albums and song I don’t care for. Think I’m going to spend energy and time and effort and mental bandwidth letting the world know?

Nah.

This, though? This new album from Carmen Jaci is amazing, and I just pre-ordered it today (it’s out March 30th, 2023).

LET YOUR FANS KNOW THEY CAN BUY YOUR MUSIC

Last week’s Spotify garbage announcements led to a lot of artists and bands and musicians speaking out in anger.

I get it, I really do, but also 90% of those same artists have multiple links to Spotify in their bio, on their feeds, on their websites (if they have a website)…

“Weird. I only link to Spotify on all my social media platforms and website posts, and yet no one buys any of the music from my Bandcamp because I never link to it or mention it, shhh it’s a secret I guess. So frustrating!”

Yes, I get it… making a $1 on Spotify is hard. But… I make music that sounds like a running dishwasher mixed with a 10 year old AC unit, and…

Like, I am not a full time musician by any means. Most of my friends don’t give a crap about the music I make. But like… my music isn’t available on any streaming service, and I made $30 last month, which is good for some groceries.

Yes, it’d be great if Spotify would pay more, and it’d also be great if people bought CDs like they did in 1998. But that’s NEVER coming back.

Some people value music, and will pay you for it. A lot of people won’t.

Don’t fall for the, “well, everyone just streams music.”

You’re not making music for everyone. None of us are.

So at the bare minimum let your fans know that they can support you by purchasing your music.

SPOTIFY’S STREAM ON MUSIC IS HORRIBLE

Imagine being one of the biggest music companies in the world, host of some of the most amazing music in modern history, and… this (the second one down) is the track you’re using for your big roll out:

It’s not just me, I swear:

Like… HOW is that the sound bed to your big new feature roll out?

Oh, that’s right – when your mission as a company is to replace all human-made music with AI bullshit so you don’t have to pay out to actual humans, this is what you get.

Look – Spotify as an app, a service, all that – yeah, it’s great.

But it’s also the worst.

BUILDING ON YOUTUBE

It’s been fun uploading my mixes to Mixcloud over the years, and I finally got around to building a Goodnight, Metal Friend website. Now I finally got around to uploading my mixes to YouTube, and it’s been fun.

Check out Goodnight, Metal Friend on YouTube.

People search for specific things on YouTube, like “dark ambient mix” or “background music,” so it’s been fun seeing some of these mixes getting 50+ views. And almost 23 hours watched in the last 28 days, which blows my mind!

BANDCAMP FRIDAY IS WONDERFUL

Bandcamp Friday is magical if you allow yourself to believe in magic.

#BandcampFriday is a day of being overwhelmed by the power of creativity! Wow, there’s just so much choice out there!! Where do we begin?”

Penelope Trappes

Do I get a lot of emails? Sure.
Do I see a lot of Tweet threads from 100 people about music to check out? Yes.

Somehow this is a bad thing.

Without social media (at the moment), there is no source or curation for this. Music sites don’t do much around this probably (definitely) because a post about some band farting out a Nirvana cover gets more clicks.

So yeah… lots of people are throwing lots of links around to a lot of music, and it’s absolutely impossible to keep up with it all.

The best way to handle all of it?

Shut your mouth, click a link, and just buy something. The end.

THE RICH RUIN EVERYTHING

The corporations bought up the blog thing and fucked it up (I was there when AOL was filling up the search engines, churning out websites, buying HuffPost, Seed).

The corporations bought up podcasts, and things ain’t working out, so now we’re gonna hear how “Podcasts lose their edge.”

No. Cheap podcasts that are profitable and also reach 1,000,000 per episode, and make lots of money for dude bros in suits are dead. RIP.

Now Spotify has a new AI DJ. Fuck off.

We had a thriving internet community with message boards, and email lists, and music blogs and websites, but then we relented. We all fell for the shiny objects called Facebook and Twitter and streaming music.

“That’s where everyone is,” is the biggest lie the devil ever told.

Not everyone is on Twitter.
Not everyone streams.

If you’re looking for the Superbowl Audience, sure, you better play your cards right and make the music that millions wanna hear.

But there are still record stores. Go shop at ’em.
Local music stores exist. Go buy some strings.
Bandcamp exists. Go buy a digital album, or a shirt.

Yes, the biggest players make the biggest noise, but the dam is breaking.

Layoffs, mismanagement. The consolidation of power isn’t natural.

Start your website, your email list, own your music, and talk to people and build your communities.

LOVE JON MAKES BEATS

I have zero idea how he does anything with that Octatrack MKII, but it sure looks cool, and Jon’s delivery is my viiiiibe, man. Give me laid back and chill over all the glitzy, in your face, over the top music stuff any day. A true wizard at work.

I love how he talks about using presets, which goes nicely along with this video of Andrew Scheps talking about using less things instead of more. Just because you have 1500 snare sounds doesn’t mean you should take a month searching for the right one, when you can just focus on writing a great song instead.

Jon Makes Beats: YouTube / Patreon / Twitch