THE FAKE MUSIC ON SPOTIFY IN 2020

The beauty about keeping a blog is you have an archive about certain subject and quotes from certain people.

I’m hosting Sean Cannon today (Aug 21, 2025) on my Escape Pod Zoom call, a weekly gathering of the paid members of my Social Media Escape Club.

I searched his name on this blog, and found this post “Streaming Problems,” from January of 2020.

I clicked the source link, his Twitter feed, and then found this gem, regarding Spotify:

“So you have the biggest company in the space creating “fake” music to drive up margins, trying to create user habits that promote NOT interacting with artists or their songs, and trying to crowd music out of everyday users lives.”

Oh, how unaware we were at the time at how fake the music would get! He was talking about “fake bands” that made music for a fee, thus removing the royalty aspect. Fill the playlists with “freelance” bands, and profit!

But here we are five years later, and Spotify is littered with music created by AI.

THE AUTUMN WOODS

Noah Kalina used another HUNTERTHEN track for his ambient videos. Stunning shots, ambient sound, and I just love hearing Noah in the woods with the sound of rain and thunder in the background.

Definitely go subscribe to his new ambient channel KALINA.

STOP PRAYING TO ALGORITHMS

I see this so much on Substack Notes: “I wish the algorithm…”

STOP! Stop wishing a computer in the cloud is going to deliver your new favorite band, some cool new writer – the algorithim can only process 1s and 0s, and by doing so turns all “content” into 1s and 0s, so just stop with this belief that if only the algorithm were better you’d be able to know about better stuff.

It’s all bullshit. Don’t rely on computers to discern editorial quality, or help you discover.

Don’t let AI take these jobs of editors, curators, DJs, writers, and various other conveyors of taste and fine art.

Via Stephen Moore’s Trend Mill:

“A lot of people seem to actually enjoy AI-generated content, and are ready to eat up more. We should have seen that coming. There’s a simple explanation — too many people have become so lost in platforms, so dictated to by algorithms, ‘for you’ feeds and suggested content, that we’re collectively losing our taste.”

Everything has been reduced to bits. Cleaned up, covered with a vanilla scent, and optimized to keep you tied into whatever platform you think is somehow “good.”

Friends are filters. People are guides. Pick up something in print that still requires some editorial discernment, or find your local college radio station. Email the writers of the newsletters you like. Go find some blogs again.

Moore is right, we’re collectively losing our taste, and we’re become helpless babies being spoon fed whatever media someone else wants us to consume.

FAT WRECK CHORDS SELLS CATALOG, WIPE OUT BAND DEBT

I’m not much of a punk rock guy, but I know this is pretty cool.

As part of the sale, all bands on Fat that are “in debt” to the label, will have their debt wiped out. That is, if a band had an advance that was not yet recouped, that balanced owed is zeroed, so that if the band sells a single royalty at Hopeless, they will begin earning royalties immediately. (Often when a band signs with an independent label, the expense of record production is granted as an “advance.” When the band’s music earns money, the money earned is first counted against the advance. So, a band usually does not earn any money until the advance is paid back through royalties earned on record sales).

Even more interesting is that Erin and Mike essentially paid off the debts themselves. That is, say the cost of Hopeless buying Fat was valued at $100. In this sale, Hopeless only paid $80 to Erin and Mike, due to the fact that Erin and Mike required that band debt be wiped out upon the sale. As far as record label sales, this is a rather monumental and magnanimous move on the part of Erin and Mike. In fact, the debt forgiveness cost Erin and Mike about $3.5 million.

via Punk News

SURFACE AREA

There’s the saying to increase the surface area for luck, but I’m telling you… meeting new folks increases the surface area for COOL STUFF.

I just got off a Zoom call with some great folks and met Andrew White and I want him to take photos of me running up the hills I try to run up (just kidding, I’d look awful), and also discovered Andrew(?) Byrd who is running an analog recording competition – making and recording music with no computers!

I know, I know… the surface area thing… for networking, for finding jobs, yes, sure. Of course. But wow, there are just so many amazing people out there doing great work.

MORE IMMERSIVE

My HUNTERTHEN music made an appearance in the latest Hotline Show by Noah Kalina.

The track ‘More Immersive’ is from my 2003 release ‘Wizard Box.’

I didn’t even recognize it at first (Noah had asked permission, of course), but when I did it really threw me for a loop, to hear my music matched with Noah’s stunning visuals.