Category: Music

ART VS POLITICAL NONSENSE

A blog is a wonderful time capsule, for both the good and the bad. This from a recent email newsletter from the German band Elder:

Unfortunately, the timing for this release coincides with the change in tariff policies of the US government. Our (Stickman, based in Germany) uses a number of services to ensure the cheapest possible worldwide shipping, but all of them are currently not servicing the US while they re-tool themselves to handle the current situation.

As such, before these tariffs went into effect we only managed to get 100 copies of the EP into the US! If you are in the States and want to get your hands on one, you will need to order either via Armageddon Shop or Echodelic, both of which have only 50 copies.

We know that techincally tariffs shouldn’t affect vinyl as it falls under the banner of “informational materials”. Our shipping partners are not currently servicing the US and our hands are tied. Apologies for that.

Hope to look back on this post five years from now and shake my head at the current state of political affairs.

And holy heck, that album art is soooo good.

STREAMING PLATFORMS FILLED WITH FAKE MUSIC

You have to be on the streaming platforms!

The streaming platforms:

Deezer says it now receives over 30,000 fully AI-generated tracks daily, marking a sharp increase from the 20,000 figure it reported in April and the 10,000 it disclosed in January when it first launched its proprietary AI detection tool.

It’s hard enough to stand out from the crowds on the social media platforms when competing with actual musicians and bands. Now you throw in 30,000 AI-generated tracks EVERY DAY and you’re just buying lottery tickets and hoping for the best, you’re literally swimming upstream just trying to buy those lottery tickets in the first place.

Go play shows. Busk. Stream live. Do whatever you gotta do to get in front of actual humans, create fans, get their email address, rinse and repeat for years.

THE FAKE MUSIC ON SPOTIFY IN 2020

The beauty about keeping a blog is you have an archive about certain subject and quotes from certain people.

I’m hosting Sean Cannon today (Aug 21, 2025) on my Escape Pod Zoom call, a weekly gathering of the paid members of my Social Media Escape Club.

I searched his name on this blog, and found this post “Streaming Problems,” from January of 2020.

I clicked the source link, his Twitter feed, and then found this gem, regarding Spotify:

“So you have the biggest company in the space creating “fake” music to drive up margins, trying to create user habits that promote NOT interacting with artists or their songs, and trying to crowd music out of everyday users lives.”

Oh, how unaware we were at the time at how fake the music would get! He was talking about “fake bands” that made music for a fee, thus removing the royalty aspect. Fill the playlists with “freelance” bands, and profit!

But here we are five years later, and Spotify is littered with music created by AI.

THE AUTUMN WOODS

Noah Kalina used another HUNTERTHEN track for his ambient videos. Stunning shots, ambient sound, and I just love hearing Noah in the woods with the sound of rain and thunder in the background.

Definitely go subscribe to his new ambient channel KALINA.

STOP PRAYING TO ALGORITHMS

I see this so much on Substack Notes: “I wish the algorithm…”

STOP! Stop wishing a computer in the cloud is going to deliver your new favorite band, some cool new writer – the algorithim can only process 1s and 0s, and by doing so turns all “content” into 1s and 0s, so just stop with this belief that if only the algorithm were better you’d be able to know about better stuff.

It’s all bullshit. Don’t rely on computers to discern editorial quality, or help you discover.

Don’t let AI take these jobs of editors, curators, DJs, writers, and various other conveyors of taste and fine art.

Via Stephen Moore’s Trend Mill:

“A lot of people seem to actually enjoy AI-generated content, and are ready to eat up more. We should have seen that coming. There’s a simple explanation — too many people have become so lost in platforms, so dictated to by algorithms, ‘for you’ feeds and suggested content, that we’re collectively losing our taste.”

Everything has been reduced to bits. Cleaned up, covered with a vanilla scent, and optimized to keep you tied into whatever platform you think is somehow “good.”

Friends are filters. People are guides. Pick up something in print that still requires some editorial discernment, or find your local college radio station. Email the writers of the newsletters you like. Go find some blogs again.

Moore is right, we’re collectively losing our taste, and we’re become helpless babies being spoon fed whatever media someone else wants us to consume.

FAT WRECK CHORDS SELLS CATALOG, WIPE OUT BAND DEBT

I’m not much of a punk rock guy, but I know this is pretty cool.

As part of the sale, all bands on Fat that are “in debt” to the label, will have their debt wiped out. That is, if a band had an advance that was not yet recouped, that balanced owed is zeroed, so that if the band sells a single royalty at Hopeless, they will begin earning royalties immediately. (Often when a band signs with an independent label, the expense of record production is granted as an “advance.” When the band’s music earns money, the money earned is first counted against the advance. So, a band usually does not earn any money until the advance is paid back through royalties earned on record sales).

Even more interesting is that Erin and Mike essentially paid off the debts themselves. That is, say the cost of Hopeless buying Fat was valued at $100. In this sale, Hopeless only paid $80 to Erin and Mike, due to the fact that Erin and Mike required that band debt be wiped out upon the sale. As far as record label sales, this is a rather monumental and magnanimous move on the part of Erin and Mike. In fact, the debt forgiveness cost Erin and Mike about $3.5 million.

via Punk News